![]() ![]() What Leckie is saying is that individual people matter. She devotes as much attention to the characters’ personal relationships and their mental and emotional difficulties as she does to the wider conflict. Leckie creates a grand backdrop to tell an intimate, cerebral story about identity and empowerment. Rather than epic clashes between starships, there’s just one determined, embodied Artificial Intelligence with a very powerful gun, a stubborn space station, espionage, and some very persuasive talking. ![]() The more reactionary faction is preparing to invade Athoek Station, even while the Station is experiencing civil unrest can Breq, her crew, and whatever allies she can gather overcome overwhelming odds and establish peace and a new social order? Leckie deliberately and deliciously flouts classic space-opera tropes. The Lord of the Radch, divided as she is across thousands of bodies, is at war with herself. ![]() In the conclusion to Leckie's multiaward-winning trilogy ( Ancillary Justice, 2013 Ancillary Sword, 2014), Fleet Captain Breq Mianaai directly confronts Anaander Mianaai, the interstellar ruler who blew up Justice of Toren, the ship that housed Breq’s consciousness. ![]()
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